Tuesday, May 19, 2020
The Classical Hollywood Style By American Cinema - 1250 Words
American cinema seemingly dominates the movie industry globally and has developed a structure of its own that has influence visual storying telling every where, however, one can find a variation of this structure or even no structure at all when taking a closer look at certain foreign films and how they decide to tell a story. When viewing the critically acclaimed Three Colors: Red, a french movie that is apart of a larger anthology, I noticed that the film did not strictly follow the structure of the Classical Hollywood Style, but instead was seemingly influenced by American cinema provided that it achieved similar results typically seen with the use of Classical Hollywood Style such as having a change in the characters and having theâ⬠¦show more contentâ⬠¦The momentum of a movie is also driven by a series of events that typically, as in the Classical Hollywood Style, displays the normal life of the characters, or an equilibrium, that subsequently gets turned upside down or thrown off by an event, or disrupted, and sends the protagonist and other characters on a journey that leads them to a new equilibrium; this paradigm is seen within the movie and is what leads the characters to change. The opening of the movie not only introduces the audience to the theme of being connected to one another by visually traveling through telephone wires to meet our protagonist Valentine, but also establishes our main characters and the lives they lead. The audience discovers in the first ten minutes that Valentine juggles a long distance relationship, ballet lessons, and a career as a model. Additionally, the audience is introduced to Auguste who is a student studying crime to become a judge and who is a boyfriend to a supportive woman named Karen. Furthermore, Kern is introduced to the audience when Valentine hits his dog with her car subsequently after the movie establishes the normal life of these characters. The pregnant dog becomes the catalyst to the story as itS how MoreRelatedIn Classical Hollywood Cinema, Most Films Are Voyeuristic1686 Words à |à 7 PagesIn classical Hollywood cinema, most films are voyeuristic in nature. This paper examines two films that explain the main charactersââ¬â¢ relationships but in styles that contrast classical cinema. The two films analyzed have some similarities but primarily are different than what most American audiences are accustomed to seeing. Annie Hall is a romantic comedy from the United States that explores sexual relationships. The movie is focused on the relationship between two main characters -Alvy Singer playedRead MoreClassical Hollywood Style818 Words à |à 4 PagesClassical Hollywood narrative Classical Hollywood cinema possesses a style which is largely invisible and difficult for the average spectator to see. The narrative is delivered so effortlessly and efficiently to the audience that it appears to have no source. It comes magically off the screen. John Belton, film scholar, Rutgers University Classical Hollywood narrative refers to the filmmaking tradition established in Hollywood during the 1920s and 1930s. It became the dominant style throughoutRead MoreClassical Hollywood1981 Words à |à 8 PagesGavan Duffy TVF Media analysis assignment Classical Hollywood Cinema In the following essay I have been asked to write a 2000 word essay discussing the main characteristic features of the classical Hollywood narrative film. This is a style of clarity where the viewer should not be confused about space, time, events or characters motivations and although a number of classical narrative traditions have been modified, or even rejected, this unfussy style of making movies it is still very much aliveRead MoreClassical and Post-Classical Hollywood Cinema2550 Words à |à 11 PagesFilm Studies Assignment 1 Classical and Post-Classical Hollywood Cinema Table of contents INTRODUCTION--------------------------------------------- 3 CLASSICAL HOLLYWOOD------------------------------- 4 Classical Gender Representation-------------------------------------- 4 Classical Style, form and content-------------------------------------- 5 GENRE TRANSFORMATION AND POST-CLASSICAL HOLLYWOOD------------------------------- 5 REFERENCES 8 BIBLIOGRAPHY 9 FILMOGRAPHY 10 INTRODUCTION DuringRead MoreThinking for Ourselves: A Look at Godardââ¬â¢s Breathless 1694 Words à |à 7 Pagesfilm genre of French New Wave brought many new ideas to the table, and challenged the techniques of classic Hollywood cinema, not just recreating something that has been done, but doing something new with it. Breathless (1960) is in many ways the antithesis of classical Hollywood cinema; the changes have a direct effect on the relationship the film has with the viewer. Classical Hollywood cinema includes standards such as continuity editing, highly motivated, character-driven stories and a coherentRead MoreEssay Classical and Post-Classical Hollywood Cinema2462 Words à |à 10 PagesClassical and Post-Classical Hollywood Cinema INTRODUCTION During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical HollywoodRead MoreJean-Luc Godardà ´s Breathless1376 Words à |à 6 PagesBreathless is in many ways the antithesis of the classical Hollywood cinema; the changes have a direct effect on the relationship the film has with the viewer. Classical Hollywood cinema includes standards such as continuity editing, highly motivated, character-driven stories and a coherent narrative structure. Breathless defies these elements of traditional filmmaking, instead defining what we know as French New Wave. From its opening scene Breathless breaks convention. Michel Poiccard, the mainRead MoreThe Decline of Classical Hollywood Films888 Words à |à 4 PagesIntroduction The decline of Classical Hollywood films came after the Hollywood Antitrust Case of 1948 as television audiences dwindled in the wave of television popularity and accessibility and the taste and interests of viewers which in turn ended the monopoly of Hollywood Studios. To combat this Hollywood Studios turned itââ¬â¢s back on the origins of its creation and headed in a new direction. An era of film-school educated, liberal filmmakers began in Hollywood where the directors of the films beganRead MoreMovie Analysis : The Heart Of Hollywood Cinema By Thomas Elsaesser And Warren Buckland Essay2207 Words à |à 9 PagesStorytelling has always been at the heart of Hollywood cinema. Revisiting the theories of Propp we can see the difference between a films story and its discourse, a story is what is being told where as the narrative is how it is told - ââ¬Å"[a story is] An account of a string of events occurring in space and timeâ⬠¦ a narrative presents an order of events connec ted by the logic of cause and effectâ⬠(Pramaggiore Wallis, 2008) Thus, it is through a films narrative that Hollywood tells its audience the story. In ThomasRead MoreTHE FORGOTTEN HISTORY OF THE WESTERN CINEMA1400 Words à |à 6 PagesTHE FORGOTTEN HISTORY OF THE WESTERN CINEMA The western movies are film genre where the scene generally takes place in North America during the American conquest of the West in the last decades of the nineteenth century. This genre appears since the invention of the cinema in 1985 finding its inspiration from literature and painting arts of the American Wild West. This genre reached its first success in the mid-twentieth century during the golden age of Hollywood studios, before it had being reinvented
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.